So I have the powerful El Lissitzky works sending me straight up to the sky, and while floating in my imagined USSR space, I was scoping where I could find a foldout catalog of his design for the Soviet pavilion at Pressa, Cologne back in 1928. I would examine its usage of paper and calculation of colors used for the printing.
Lissitzky would be a perfect example to introduce DESIGN - art with audience in concern or say art with propaganda purpose.
In DESIGN, all kinds of tool and forms are working together as a machine with one purpose on its mind, to convey the director/constructor's ideas. Drawings, photography, paintings, printings, paper, and other materials that are visually STABLE are gathered together by the constructor. Different from some Suprematism and other stream of artists, Lissitzky confirmed that "aesthetic program remained dominant to technological considerations", which as how I understand means the idea of the work is conceivable. And Lissitzky must be a very cool person, his works seem to undergo great calculation and considretaion, measuring everyone's emotional gain and loss. Then he rely on aesthetic calculation to remain neutral and gather his fans...
Designers always stay cool and neutral.
. no good .
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